Image by Ryno Stols
Nicola Brandt was born in Windhoek, Namibia, and is of German and South African descent. She is a multidisciplinary artist known for her large-scale photographs, video works, and installations that reflect on themes of power, memory, desire, and positionality.
Brandt became known as a representative of an emerging generation of artists in the country of her birth, especially through her new, critical approach to place and landscape and her decolonial examination of German colonial history and memorial work. Brandt’s work foregrounds the idea that place and identity are mutually constituted and are impacted by environmental, social, and political factors. She is interested in how these experiences and effects might be communicated through expanded documentary and performance practices.
The artist believes that art can assist in facilitating cross-cultural dialogue and social change. Her work featured as part of intergovernmental talks between Namibia and Germany in 2015 and was showcased at the Nama and Herero Congress in Hamburg, Germany in 2018.
Brandt has presented her work internationally, at the MAXXI Museum in Rome, Yale University, the Würth Museum in Germany, Nirox Foundation, amongst others. Brandt lectures on histories of photography and contemporary art and has been an artist-in-residence at several institutions, including at the MARKK Museum and the University of Hamburg.
She is the author of the monograph Landscapes between Then and Now: Recent Histories in Southern African Photography, Video and Performance Art published with Bloomsbury in 2020. Brandt has also contributed to publications including The Journey: New Positions in African Photography (2020), co-edited by Simon Njami and Sean O’Toole and the reader of the 13th Edition of the Bamako Biennale (2022). She is the founder and series editor of the artists’ and writers’ residency Conversations Across Place (CaP).
COLLECTIONS (selected)
Scheryn Art Collection
Iwalewahaus Collection, Bayreuth, Germany
National Art Gallery, Namibia
Embassy of Namibia, Berlin, Germany
Würth Collection, Germany
The Joseph Schepers-Germaine Lijnen Fund
Ministry of Lands and Resettlement, Windhoek, Namibia
AWARDS + SCHOLARSHIPS (selected)
2020–2021
Kowitz Foundation Grant to produce ‘Conversations Across Place’
2019
Best Exhibition: The Artists’ Association, Oslo for Hannah Ryggen Triennial: New Land
2017–2018
Leverhulme Trust (shortlisted), Oxford's Humanities Division & Ruskin School of Art, University of Oxford
Diversifying Portraiture, Vice-Chancellor's Diversity Fund, University of Oxford
Gerda Henkel Foundation Fellowship
2016
IFA (Institut für Auslandsbeziehungen)
Wellcome Trust: Participant in Seed Award in Humanities and Social Science
2014
Namibian Film and Theatre Awards: Indifference, Special Mention of the Jury
2010–2014
Christ Church, University of Oxford, Hugh Pilkington Scholarship
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Image by Ryno Stols
Nicola Brandt was born in Windhoek, Namibia, and is of German and South African descent. She is a multidisciplinary artist known for her large-scale photographs, video works, and installations that reflect on themes of power, memory, desire, and positionality.
Brandt became known as a representative of an emerging generation of artists in the country of her birth, especially through her new, critical approach to place and landscape and her decolonial examination of German colonial history and memorial work. Brandt’s work foregrounds the idea that place and identity are mutually constituted and are impacted by environmental, social, and political factors. She is interested in how these experiences and effects might be communicated through expanded documentary and performance practices.
The artist believes that art can assist in facilitating cross-cultural dialogue and social change. Her work featured as part of intergovernmental talks between Namibia and Germany in 2015 and was showcased at the Nama and Herero Congress in Hamburg, Germany in 2018.
Brandt has presented her work internationally, at the MAXXI Museum in Rome, Yale University, the Würth Museum in Germany, Nirox Foundation, amongst others. Brandt lectures on histories of photography and contemporary art and has been an artist-in-residence at several institutions, including at the MARKK Museum and the University of Hamburg.
She is the author of the monograph Landscapes between Then and Now: Recent Histories in Southern African Photography, Video and Performance Art published with Bloomsbury in 2020. Brandt has also contributed to publications including The Journey: New Positions in African Photography (2020), co-edited by Simon Njami and Sean O’Toole and the reader of the 13th Edition of the Bamako Biennale (2022). She is the founder and series editor of the artists’ and writers’ residency Conversations Across Place (CaP).
COLLECTIONS (selected)
Scheryn Art Collection
Iwalewahaus Collection, Bayreuth, Germany
National Art Gallery, Namibia
Embassy of Namibia, Berlin, Germany
Würth Collection, Germany
The Joseph Schepers-Germaine Lijnen Fund
Ministry of Lands and Resettlement, Windhoek, Namibia
AWARDS + SCHOLARSHIPS (selected)
2020–2021
Kowitz Foundation Grant to produce ‘Conversations Across Place’
2019
Best Exhibition: The Artists’ Association, Oslo for Hannah Ryggen Triennial: New Land
2017–2018
Leverhulme Trust (shortlisted), Oxford's Humanities Division & Ruskin School of Art, University of Oxford
Diversifying Portraiture, Vice-Chancellor's Diversity Fund, University of Oxford
Gerda Henkel Foundation Fellowship
2016
IFA (Institut für Auslandsbeziehungen)
Wellcome Trust: Participant in Seed Award in Humanities and Social Science
2014
Namibian Film and Theatre Awards: Indifference, Special Mention of the Jury
2010–2014
Christ Church, University of Oxford, Hugh Pilkington Scholarship
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